
作品



屍沉大海
此次的郵輪災難、沉船特效、直升機及大規模感染場面,以傳統實拍方案幾乎難以在台灣電影預算內實現。在製作形式上,《屍沉大海》採用 100% AI 影像生成技術,亦是台灣首部以 AI 技術完整製作的院線長片,其製作流程與成本模型將成為產業可參照的公開範本。《屍沉大海》將會在台灣電影於 AI 新紀元中成為跨時代之作。
隨著大型場景成本降低,資金得以重新分配至劇本及高雄實景的完整呈現。本片透過著名景點,燈塔、魚市場等…獨有的海港風情,與故事後段的黑暗與絕望形成對比,故少了這個基底,恐懼便失去衝擊力。因此,高雄的美是無可取代的重要。
《屍沉大海》是一部結合災難、驚悚與人性議題的海上喪屍電影。本片以一艘與外界完全隔絕的豪華遊輪作為故事舞台,當未知病毒蔓延、秩序崩解、死亡逼近時,每個人都必須在生存與道德之間做出選擇。
在製作形式上,《屍沉大海》採用100% AI影像生成技術,亦是台灣首部以AI技術完整製作的院線長片,其製作流程與成本模型將成為產業可參照的公開範本。支持《屍沉大海》是在台灣電影的 AI 新紀元中畫下新的里程碑。
此次的郵輪災難、沉船特效、直升機及大規模感染場面,以傳統實拍方案幾乎難以在台灣電影預算內實現。隨著大型場景成本降低,資金得以重新分配至劇本及高雄實景的完整呈現。本片透過高雄著名景點,旗津燈塔、前鎮魚市場等…高雄獨有的海港風情,與故事後段的黑暗與絕望形成對比。少了這個基底,恐懼便失去衝擊力。因此高雄的美,是無可取代的重要。
劇情上,本片相較於傳統喪屍電影著重於血腥、獵殺與逃亡,《屍沉大海》更關注人在極端環境下所展現的人性面貌。當文明與法律失去作用,人們將卸下平日的偽裝,暴露出最原始的慾望、恐懼、自私與善良。本片藉由封閉的遊輪空間,猶如一座漂浮於海上的人性實驗場,透過不同角色的抉擇與犧牲,深刻探討人性的複雜與脆弱。
此外,本片以愛情作為故事核心,打造具備國際市場穿透力的情感主線。一對戀人在浪漫航程中突遭末日降臨,在生死倒數的極限壓力下,愛情從承諾昇華為犧牲的勇氣。故事最終以死亡與新生命並置,傳遞「世界崩壞,希望仍在」的普世信念——這是《屍速列車》與《異形》系列在全球市場屢屢奏效的情感公式:類型刺激為外殼,人類情感為核心。《屍沉大海》循此路徑,具備打入亞洲乃至歐美主流類型市場的敘事基礎。《屍沉大海》不僅是一部喪屍電影,更是一則關於人性、愛情與希望的寓言。在驚悚與娛樂之外,我們希望讓觀眾思考:當世界走向崩潰,人類最終選擇守護的,究竟是自己的生命,還是內心最後的良善與愛。
The large-scale spectacles of this film—including the cruise ship disaster, sinking visual effects, helicopter action sequences, and mass infection scenes—would be nearly impossible to execute within the constraints of a traditional local film budget.
To overcome these limitations, The Sunken Remains utilizes 100% AI image generation technology, making it the nation's very first feature film produced entirely through AI for a theatrical release. The production workflow and cost-efficiency model developed during this project will serve as an open-source blueprint for the future of the industry. Supporting this film means co-authoring a historic milestone in the new era of AI filmmaking.
By drastically reducing the cost of producing massive, complex scenes through AI, production funds have been strategically reallocated to screenplay development and the authentic presentation of local real-world locations.
The film heavily features unique local maritime landscapes and coastal charms, serving as a vibrant, beautiful baseline that starkly contrasts with the darkness and despair of the film's final acts. Without this realistic and visual anchor, the psychological horror would lose its visceral impact. Therefore, the authentic beauty of these real-world backdrops is an irreplaceable pillar of this narrative.
Unlike traditional zombie films that rely solely on gore, slasher tropes, and mindless survival runs, The Sunken Remains places a profound focus on the psychological facets of human nature under extreme pressure.
When civilization and laws disintegrate, the characters shed their social facades, exposing their rawest desires, fear, selfishness, and inherent goodness. The isolated cruise ship acts as a floating human experiment. Through the choices and sacrifices of diverse characters, the film deeply explores the vulnerability and complexity of the human psyche.
At its core, the film weaves a powerful romantic narrative tailored for international market penetration. A young couple's romantic voyage abruptly turns into an apocalyptic nightmare. Under the ultimate pressure of a life-and-death countdown, their love evolves from a simple promise into the courage of self-sacrifice.
The story culminates in a poignant juxtaposition of death and new life, delivering a universal message: "Even when the world collapses, hope endures."
This narrative strategy mirrors the proven global formulas of blockbusters like Train to Busan and the Alien franchise—using high-concept genre thrills as the outer shell, while keeping genuine human emotion as the core. Following this proven path, The Sunken Remains possesses the narrative foundation to successfully penetrate both regional and global mainstream genre markets. It is not merely a zombie film, but a gripping parable about humanity, love, and hope. Beyond the thrills and entertainment, it invites the audience to contemplate a haunting question: When the world comes to an end, will we protect our own lives, or the ultimate goodness and love within us?
